Undoubtedly, Love and Other Wicked Things will be one of our best finds. The story started with two amateur witches, Rhia and Valerie, who are still finding their real magical abilities. Although Valerie’s arrival in Oakriver stirred something in the Greenbrook family, Rhia’s suspicions are fading by the day. She is beginning to see something notorious but innocent in her. In Love And Other Wicked Things Chapter 6-10, Valerie visits Rhia’s home, and what happens next is for you to find out.
Love and Other Wicked Things Chapter 6: A Head Full of Regret
Love And Other Wicked Things Chapter 6 begins with Rhia groaning at the memory of everything that happened the night before. But her moment of misery is cut short by a very important realisation: it’s Cleansing Day. A family tradition rooted in spiritual practice, it’s the day they rid their home of lingering negativity. She panics, hearing her mother’s footsteps climbing the stairs. “I’m the negative energy she’s about to banish,” she mutters to herself. Her mother enters, radiating calm and subtle judgment, brushing Rhia with cleansing herbs and commenting on how off her energy feels.
When Rhia finally makes her way to the dining room, she’s greeted with the sarcastic cheer of her cousins. Holly, Tristan, and Sage are already seated, teasing her for sleeping in. Sage hands her a cup of herbal tea with a cheeky smile, her own personal remedy for hangovers. Rhia gratefully accepts, but peace is short-lived as their grandmother storms in, calling out Rhia’s full name with dramatic flair. Apparently, someone’s been drinking, and Grandma isn’t happy.
Rhia tries to defend herself, but it’s too late. Grandma reminds her of the importance of staying vigilant, especially considering the warnings from her premonitions. She also starts giving instructions for supplies needed for the upcoming Fall Festival. Sage mentions her trip to Obscura, and Grandma insists on black candles, powerful tools in spiritual protection. Rhia offers to tag along.
Sage and the Path Ahead
As they walk through town, Rhia struggles to match Sage’s pace. Her cousin is already on a business call, juggling client needs while managing magical duties. Rhia watches in awe, Sage has created a life where her professional world doesn’t revolve around magic, something quite different from the rest of their family. While their mother and grandmother embraced their powers as part of their identities, Sage made a conscious choice to keep things separate.
Curious and a little lost, Rhia asks how Sage figured out what she wanted to do. Sage explains that it didn’t come easily; it took introspection, moon water rituals, and a lot of soul-searching to realise what kind of life she wanted. She reminds Rhia that it’s okay not to have everything figured out yet. That’s the purpose of her gap year: to explore, to be uncertain, and to take time to discover who she is beyond her abilities.
Love And Other Wicked Things Chapter 6: Secrets in Obscura
Sage and Rhia arrive at Obscura, the local shop filled with magical tools and herbs. While Sage picks up the black candles and other supplies, Rhia runs into Quinn. He greets them warmly and casually brings up something that catches Rhia off guard: Valeria’s been sleepwalking. According to Quinn, she’s been mumbling strange things at night and even wandered down the hall in her sleep. It’s not normal for her, he adds, and there’s a subtle concern in his voice.
Rhia, worried, offers a few remedies, a mix of lavender, chamomile, and passionflower under the pillow to encourage restful sleep. It’s a small gesture, but one filled with care. Quinn thanks her, promising to pass along the suggestion. As he walks away, Sage eyes Rhia knowingly.
The moment they step out of the shop, Sage starts teasing. She’s noticed Rhia’s concern and her blush. “You’re pretty invested in someone you claim is destined to destroy the town,” Sage jabs. Rhia tries to dismiss it, saying it’s just concern for a fellow human being. She adds that the doomsday beliefs come from Grandma, not her. But the moment they spot Valeria nearby and Rhia reacts with visible emotion, Sage smirks. Rhia may deny it all she wants, but her heart is already beginning to drift into dangerous territory, ending Love And Other Wicked Things Chapter 6.
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Love and Other Wicked Things Chapter 7: Art Imitating Myth
Love And Other Wicked Things Chapter 7 begins with students sitting at their easels, brushes in hand, as the teacher introduces the day’s assignment: creating personal interpretations of iconic works from the pre-Raphaelite era. With a focus on hope, transformation, and the romantic ideals of the Renaissance, the lesson encourages students to express vulnerability and story through visual art. Valerie sits at her station, lost in thought as she carefully paints her version of Orpheus and Eurydice.
To her, it’s more than just an assignment; there’s an emotional pull to the story. The teacher walks by and notices the emotion in her work, remarking that it feels like a piece created by someone trying to hold on to something… or someone. Valerie admits she doesn’t fully know why she chose it, only that it feels incredibly personal. The teacher smiles knowingly and suggests that perhaps Valerie, too, is searching for a leap of faith.
Later that day, Valerie finds herself aimlessly wandering the town, her thoughts tangled in the day’s events. A message buzzes on her phone; it’s from her father. He’s warm and upbeat, saying how much he misses her, asking if she’s joined any clubs yet, and mentioning plans for matching family T-shirts.
Valerie reads the message but doesn’t reply. She knows she should. But the truth is, her focus has been consumed by finding her mother—and adjusting to this strange town where magic hums beneath every surface. She tells herself she’ll respond later, when she has something real to say.
Can’t Get Her Out of My Head
Despite everything else on her mind, Valerie finds her thoughts drifting back to Rhia. It’s ridiculous, she thinks. They’ve barely spoken. And yet, Rhia lingers in her head—her softness, her intensity, her blunt honesty. Valerie admits to herself that she’s never met anyone like her. Rhia’s the only person in Oakriver who makes her feel a little less lost. With that realization buzzing inside her, Valerie makes a decision. She walks straight to Sugar & Spice, determined to see Rhia.
The bell above the door jingles as Valerie steps inside the cozy café. She immediately spots Rhia and is momentarily stunned by how effortlessly beautiful she looks. She tries to think of something clever to say, but ends up awkwardly standing in the middle of the aisle until Rhia notices. Rhia is less than thrilled. She reminds Valerie that this isn’t a coincidence, Valerie knows she works here. Valerie fumbles through excuses, joking that she just wanted to visit her “favourite drinking buddy.” Rhia isn’t amused. She corrects her: they are not drinking buddies, they simply shared a bench at a party.
Valerie pushes further, suggesting they hang out sometime. Rhia shuts it down immediately. She lists off all the reasons it’s a bad idea: Valerie is loud, reckless, chaotic, and already has friends like Quinn. Why bother with her
The Offer She Can’t Refuse
But Valerie isn’t giving up. She makes a deal: if Rhia agrees to hang out, she’ll stop teasing her about tarot and magical readings. Rhia freezes, clearly thrown off by the offer. She tries to brush it off, but Valerie continues, saying she just wants to understand more about magic, and that Rhia is the only person in town who truly knows what she’s doing. Rhia, cautious but curious, challenges Valerie. “What do I get out of this?” she asks. Valerie thinks for a second and offers something bold: she’ll teach Rhia diversion magic in return.
Surprised, Rhia hesitates. A long pause settles between them before she agrees, reluctantly. They shake hands, sealing the arrangement, though Rhia admits to herself that she already has a bad feeling about all of this.
Their unlikely partnership is now official. Valerie’s persistence has cracked Rhia’s walls just enough for something to begin: friendship, rivalry, mentorship… or something far more complicated. Both girls are stepping into unknown territory, drawn together by something neither of them fully understands. Whether it will lead to growth or disaster remains to be seen, ending Love And Other Wicked Things Chapter 7.
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Love and Other Wicked Things Chapter 8: A Message from Home
Love And Other Wicked Things Chapter 8 begins with Valerie receiving a message from her dad, warm and light-hearted, asking if she’s okay, telling her it’s family weekend, and joking about matching shirts. She replies with a simple note, saying she’s been busy with a project. But when her dad follows up with, “Are you okay? Do we need to talk?”, the question lingers in her chest. Valerie doesn’t have an answer. Her inner voice echoes, Am I okay? Things weren’t always this complicated. Life used to be easier when it was just her and her father, surviving, healing, and rebuilding. But now? He’s moved on. He found a new family. And she’s still here, stuck in the ruins of the past, still trying to uncover pieces of her mother.
Walking back through town, Valerie sees Rhia nearby, and her mood shifts. Her previous frustration melts into something more curious, more vulnerable. Rhia doesn’t just remind Valerie of the magical world she’s stepped into; she stirs something else, something personal. They chat, and Valerie admits she doesn’t expect to be taught everything about magic. Just something. Something real. Rhia reminds her that learning magic isn’t about copying others, it’s about discovering her own path. Valerie confidently replies she’s been doing that all her life. Rhia doesn’t say much, but the respect in her eyes is clear. There’s something mutual forming between them now, tentative, but genuine.
Cutting Ties With the Past
As they walk together, Valerie notices an old flyer, one of her own advertisements for mystical readings. She pulls it off the wall. It’s a relic of who she used to be, back when her magic was something raw, something to profit from. Without hesitation, she burns it. Rhia watches but doesn’t stop her. Valerie says she’s lucky with her dorm setup, Quinn is her roommate, and although messy, it’s manageable. Rhia is curious about Valerie’s magical space and asks about her altar. Valerie freezes. She doesn’t have one. Doesn’t even know what it is.
Rhia is surprised, maybe even a little concerned. Most witches have some kind of altar, a spiritual or magical grounding space. Valerie admits she’s never had one. She’s never been taught. Everything she knows about magic, she’s figured out on her own. It started with strange childhood experiences: dreams that predicted the future, lights flickering with her mood, temperature changes that made no logical sense. She recalls one moment clearly, she was frustrated with her calculus homework, wished it would disappear… and the paper burst into flame without her even touching it.
A Dangerous Game
Rhia’s concern deepens. Did she ever tell anyone about this? Valerie says she tried once. She told her dad, but he brushed it off, telling her to be careful and never bring it up again. Since then, she’s been alone in figuring things out. From small candle spells to spontaneous rituals, everything Valerie knows has come from experimentation and instinct. Rhia is astonished that Valerie has survived this long without hurting herself or worse. She explains that Valerie has essentially been poking at the magical world without any of the protective structure or knowledge most witches are raised with.
Rhia warns her: what she’s doing isn’t safe. It’s like playing ding-dong ditch with the spirit realm. So far, she’s been lucky. But eventually, something will answer that call. And when it does, she might not have the tools to protect herself. The magical world isn’t forgiving. It’s powerful. And it comes with consequences.
Realizing she may have come across too harsh, Rhia softens. She apologizes, telling Valerie that what she’s done on her own is deeply impressive. Rhia had help, family, mentors, and traditions. Valerie had no one. And still, she’s grown strong. Rhia says it’s not Valerie’s fault she wasn’t taught the rules. But that doesn’t make the rules any less real. Valerie, curious now, asks why the rules are so important. Rhia doesn’t hesitate: “Because if you don’t follow them, you can die.” Magic isn’t a hobby or an aesthetic. It’s real. It’s dangerous. And Valerie has been skirting the edge without knowing how close she’s been to disaster, ending Love And Other Wicked Things Chapter 8.
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Love and Other Wicked Things Chapter 9: A Heavier Realization
Love And Other Wicked Things Chapter 9 begins with a noticeable shift in Valerie’s mood as she processes Rhia’s warning about dark spirits. The once thrilling idea of magic now carries weight and risk. She realizes how carelessly she has treated her abilities and how little she knows about their true consequences. What started as a solitary journey through magic for comfort and self-exploration is evolving into something deeper and more dangerous.
As they continue their conversation, Rhia introduces Valerie to the concept of an altar. This is not just a magical tool, but a central, personal space, unique to every witch. Rhia explains that no two altars are the same; they grow and shift with a witch’s life, serving as the anchor for spiritual rituals and a mirror of personal evolution. Valerie is astonished to learn that she has been practicing magic all this time without ever building or recognizing her own altar.
A Moment of Trust
Intrigued and eager, Valerie asks Rhia if she can see her altar. At first, Rhia hesitates. Sharing one’s altar is intimate, like exposing the inner threads of one’s soul. But eventually, Rhia agrees. This quiet moment of consent carries weight; it marks the first time someone willingly lets Valerie into their magical world. For Valerie, this is not just curiosity. It’s her first real step into a shared magical space.
The two decide to meet the next day after Rhia’s shift. Valerie is excited, but she senses that Rhia’s offering is not something to rush. The moment is heavy with anticipation and mutual respect. As their conversation shifts, Rhia notices Valerie’s artwork displayed around the room. The paintings are full of raw emotion, visual proof of a girl trying to understand herself through colours and form. Even without a traditional altar, Valerie has been creating sacred space through her art.
Rhia sees something powerful in Valerie, an identity that isn’t just formed by magic but shaped through creative expression and resilience. This recognition brings them closer. Valerie’s vulnerability is met with Rhia’s quiet acceptance. Love And Other Wicked Things Chapter 9 ends with personal questions and subtle emotions, the tone is tender but charged.
Love And Other Wicked Things Chapter 10: Morning Unease
Love And Other Wicked Things Chapter 10 begins with Valerie waking early in the dorm and stepping into the bathroom to shower. She tells Quinn the shower is empty and he can use it before everyone wakes, a casual gesture masked with subtle care. Quietly as she moves, she notices a faint rattling noise, pipes perhaps, but dismisses it. Still, she feels an unexpected stir of tension in the air. The morning feels unsettled. Quinn jokes about thin pipes or perhaps his imagination, but Valerie senses something else is at play. It isn’t fear, exactly, more like uncertainty. It hints that the day won’t go as smoothly as she’d hoped.
As morning routines settle in, Valerie starts thinking about the next tutoring session with Rhia. She considers bringing a gift, something symbolic, useful, and thoughtful. Since Rhia is an earth witch, the idea of a plant comes to her mind: living, nurturing, symbolic of growth. She leaps on the idea. Giving an earth witch a plant feels simple but significant, an anchor to nature and a new friendship. It reflects both her admiration for Rhia’s roots and her desire to nurture their connection through thoughtful gestures rather than showy magic.
Doubts and Domesticity
Meanwhile, at Rhia’s home, the morning feels layered with tradition. Rhia wonders quietly if she could ever manage without an altar, and her mother gently reminds her that altars hold real structure and purpose, with temporary absences only in rare cases, such as travel or darkness rituals. Rhia ponders her mother’s words, thinking of Valerie’s path without one, and feeling both protective and curious.
At Sugar & Spice, Rhia’s shift begins under routine control and pressure. She navigates coffee spills, angry customers, brownies cut too large, and standard café chaos. But she feels the weight of anticipated tutoring and Valerie’s visit. Her patience thins as the minutes drag. A coworker offers to cover if she needs it, an open invitation to escape the shift. Rhia feels torn: she values routine and responsibility but also cherishes the chance to teach, to share her world with Valerie.
Valerie arrives early, and Rhia rushes off her relief shift. They walk side by side, up the quiet streets toward Rhia’s house. Rhia notices Valerie’s unusual quietness, which offsets their usual energy, but she accepts it gently. Valerie admits she’s grateful for this walk, steady, calm, revealing little but significant trust. When they reach the house, Valerie hesitates at the threshold. Rhia’s thoughts whirl with fear: her grandmother’s warnings, visions of danger tied to teaching magic, and Valerie’s role in them. But she reminds herself, Valerie isn’t a danger; she’s a student, a friend, a seeker.
Love And Other Wicked Things Chapter 10: Greenhouse Wisdom
Inside, Rhia’s house feels alive with magic. Sunlight spills across antique furniture and textured walls. Though Rhia imagines disaster, nothing ominous emerges, only the comforting resonance of earth magic beneath the surface. Valerie admires the feeling of safety and warmth. Then, in a gesture of friendship, she presents Rhia with a small star plant. Rhia’s face softens, delight and surprise as she lifts its fragile branches. Rhia explains her family’s generations-old greenhouse tradition, built to sustain magical herbs and ritual plants year‑round. To an outsider, it’s just a greenhouse; to Rhia, it’s a lineage of care, a symbol of grounded magic.
Valerie’s gift, a simple star plant, fits perfectly into that heritage: hopeful, growing, and symbolic of new beginnings. Rhia places it gently beside shelves of herbs and crystals, where it glows in the filtered sunshine. As they stand there, surrounded by green life, Rhia finally allows herself to relax. Trust, she realizes, is taking root. The day ends with a quiet hope: their bond deepens not just through shared magic but through mutual respect, thoughtfulness, and the growing sense that they are building something real, both in the house they walk in and in the magical paths they walk together, ending Love And Other Wicked Things Chapter 10.
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